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Rio 2 (Film Review)

'Rio 2' is one of the great examples of how an animated sequel should be, which is rarely made. Retaining the vibrant look of the visuals and musical numbers, while adding effective humor and new characters in between. Okay, I was a bit skeptical of how this movie'll turn out. Sequels from animated movies these days often come pretty bad and lame, but Blue Sky Studios sure learned their lessons with their recent Ice Age movies.The film slightly got to the lame-sequel direction with its final half, but all-in: this is pack of joy and delight. Kids will definitely enjoy this, big time.

Matthew McConaughey Leads Magnificent Voyage in 'Interstellar'

Newly-minted Oscar-winner Matthew McConaughey stars in Warner Bros. Pictures' “Interstellar” as Cooper, a former test pilot and engineer in the tradition of the adrenaline-fueled flyboys who continually challenge their own limitations to carve our path into the stars.

For director Christopher Nolan, only Matthew McCounaughey could effortlessly convey that archetypal figure. “He embodies everything we were looking for in casting Cooper—the spirit of adventure, a cowboy-like swagger, and the warmth of somebody who’s involved with his family first and foremost,” the director states. “He has all of those intangible qualities present in the character, paired with his incredible professionalism and humor. It was a wonderful experience to work with him on this film.”

McConaughey describes Cooper as “a dreamer and a man out of time. He’s not supposed to be a farmer. He’s supposed to be out there—that’s where he lives.” But in “Interstellar,” the world needs farmers, not pilots. After a blight has decimated the food supply, civilization has turned back to the earth and clings to the only viable crop left—corn. “Life has become about growing food and having clean water,” the actor continues. “We don’t need any explorers; we don’t need any astronauts; we don’t need any bright ideas. But Cooper is trying his best to live in this world, and to hold things together for his children.”

Cooper’s teenage son Tom, played by Timothée Chalamet, loves the farm and helps his dad to keep it running. Chalamet recalls that on the day before shooting began, McConaughey helped set the stage for their onscreen relationship. “Matthew asked me, ‘What do you know about combine greasing and the methods in which pesticides are sprayed over corn fields?’” Chalamet recalls. “That night, I looked everything up to make sure I could answer all those questions the next day, but that experience with Matthew told me so much about Tom’s relationship with his dad. Cooper wants to know he can rely on him to handle things, and Tom wants to prove to him that he can.”
Cooper’s daughter, Murph, played by Mackenzie Foy, takes after her father in ways Tom never could. “Murph is obsessed with rockets and space, even though no one talks about those things anymore,” Foy says. “She might have felt out of place in this world, but her dad encourages her to stay curious and that gives her the confidence to be brave.”

Producer Emma Thomas reveals, “Cooper loves both of his children deeply, but shares a special bond with Murph over their shared passion for science and discovery. But, as with many parents and children, what binds them together can also pull them apart.”

Sealed off in an underground bunker, a small group of scientists and engineers is aiming higher than the dirt that no longer seems willing to sustain the human race and are gambling their lives on the prospect that somewhere in the universe lies a planet that might. The project was sparked by the mysterious appearance of a disturbance near Saturn—a wormhole that bores through a higher dimension of space and time to a galaxy that would take lifetimes to reach without it. And to endure such a journey, the group has salvaged the best available technology from the ruins of the space program to build the mission’s three ships: the Ranger shuttle, the Lander heavy-lift vehicle, and the Endurance mothership waiting in low Earth orbit.

The one thing the mission lacks is an experienced pilot. McConaughey offers, “Suddenly, the dream that Cooper’s been chasing all his life is knocking on his door. And it’s not just the chance to be a pilot again but to lead the most important mission of all time. The consequence of that opportunity, though, is having to leave his two kids behind, and what no one can tell him is how long he will be gone.”
Opening across the Philippines on Nov. 6, “Interstellar” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. “Interstellar” is available in four formats: IMAX 70mm Film (at IMAX SM Mall of Asia), 35mm Film (at Glorietta 4, Sta. Lucia East and Trinoma), IMAX Digital (at SM Aura Premiere, SM Cebu, SM Clark, SM Lanang, SM Megamall, SM North EDSA and SM Southmall) and Digital 2D (most theatres nationwide).

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Director Christopher Nolan Pushes The Limits With 'Interstellar'

Humankind has always shaped its destiny by pushing its limits—from the first ships setting sail for the edge of the horizon to the first human steps on the surface of the moon—yet the ultimate frontier remains tantalizingly out of reach. From director/writer/producer Christopher Nolan, “Interstellar” hinges on the provocative question of humanity’s place in the stars.

“To me, space exploration represents the absolute extreme of what the human experience is,” Nolan says. “It’s all about trying, in some way, to define what our existence means in terms of the universe. For a filmmaker, the extraordinary nature of a few select individuals pushing the boundaries of where the human species has ever been or can possibly go opens up an infinite set of possibilities. I was excited by the prospect of making a film that would take the audience into that experience through the eyes of those first explorers moving outwards into the galaxy—indeed to a whole other galaxy. That’s as big a journey as you can imagine trying to tell.”

Set in a near-future in which an agricultural crisis has brought the world to its knees, “Interstellar” chronicles a daring mission to pierce the barriers of time and space in a desperate human gamble against extinction. “I’ve always been interested in what the next step in our evolution might be. If the Earth is a nest, how would we respond when the time comes to leave it?”

Against the limitless canvas of this high-stakes adventure into the stars, Nolan reveals that what ultimately drives the film is the intimate human story at its core. “I feel that the magnitude and grandeur of space is most interesting as a backdrop for exploring relationships, which are so strong and meaningful for us, and how that relates to our place in the universe.”
Matthew McConaughey was taken by the emotional threads that ground the spectacle in human dimensions. “What is amazing to me is that while the excitement of the story lies in its scope—the thrill of adventure and discovery of the unknown—one of my favorite things about Chris Nolan is the heartbeat of humanity he gives to his films,” the actor states. “No one handles the sheer mass and scale of a world like he does because it always comes off as something personal and intimate.”

Anne Hathaway ties this quality in Nolan’s films to his focus on the human stakes in even the most heroic endeavor. “From the beginning of time, the reach to expand our world or move our civilization forward has always involved great sacrifice by a handful of individuals, who put the greater good over any risk to themselves. This film really celebrates those who are brave enough to do that.”

Jessica Chastain adds that the film also celebrates the connections that sustain us. “This story is full of longing and heartbreak, but at its core is the beautiful idea that even if love is not something you can hold in your hands, it remains with you across vast distances in time and space.”

Co-screenwriter Jonathan Nolan admits that the nearly inconceivably dimensions of the universe led them down some fascinating narrative pathways. “The reality of the universe is that while it’s magnificent to look at and inspires a great sense of wonder, it’s cold, airless and vast—so vast that we have no idea how big it really is,” he says. “So, the effort was to try to take a big idea and ground it as much as possible to give you a real sense for what interstellar space travel would feel like, not only as a tactile experience, but in terms of the emotional toll such a treacherous and isolating journey would have on human beings.”
Opening across the Philippines on Nov. 6, 2014 in theaters and IMAX®, “Interstellar” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

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'Annie' 2014 Sountrack List And Release Date

For generations, families everywhere have fallen in love with the musical score to “Annie,” and such iconic songs as “Tomorrow,” “It’s the Hard-Knock Life,” and “Maybe,” have provided the soundtrack to countless childhood memories.

Now, as a new vision for the classic show is set to hit Philippine theaters in January 2015 in Columbia Pictures’ Annie, Roc Nation Records/Overbrook Entertainment/Madison Gate Records/RCA Records announce the “Annie: Original Motion Picture Soundtrack” will be released on November 17th, 2014.  The soundtrack features newly recorded versions of the film’s signature songs plus new tunes performed by Sia, Jamie Foxx, Quvenzhané Wallis, Cameron Diaz, and more.

The first single from the soundtrack is the 2014 film version of “You’re Never Fully Dressed Without A Smile,” performed and co-written by Sia and produced by Greg Kurstin, who also serves as Executive Music Producer on the film.  The single is currently available at all digital music providers.

A sneak peek of the heartwarming music video for the song premiered Oct. 22 on Good Morning America and can now be viewed on Filmed with the energetic backdrop of New York City, the video was helmed by the acclaimed director Will Gluck, who is also the film’s director.

Singer/songwriter Sia and producer/songwriter Greg Kurstin were charged with creating new arrangements for the classic songs, breathing new life into such iconic songs as “I Think I’m Gonna Like It Here (2014 Film Version),” “You’re Never Fully Dressed Without A Smile (2014 Film Version),” and “Little Girls (2014 Film Version).”  They have also written new songs for the soundtrack, including “Opportunity,” “Who Am I,” and “Moonquake Lake” featuring Beck; Sia also co-wrote “The City’s Yours” with Stargate.  Matt Sullivan served as the film’s Executive Music Supervisor.

“Annie: Original Motion Picture Soundtrack” track listing:

  1. 01 Overture - Cast
  2. 02 Maybe - Quvenzhané Wallis, Zoe Margaret Colletti, Nicolette Pierini, Eden Duncan-Smith and Amanda Troya
  3. 03 It’s The Hard-Knock Life - Quvenzhané Wallis, Zoe Margaret Colletti, Nicolette Pierini, Eden Duncan-Smith and Amanda Troya
  4. 04 Tomorrow - Quvenzhané Wallis
  5. 05 I Think I’m Gonna Like It Here (2014 Film Version) - Quvenzhané Wallis, Rose Byrne and Stephanie Kurtzuba
  6. 06 You’re Never Fully Dressed Without A Smile (2014 Film Version) - Sia                    
  7. 07 Moonquake Lake - Sia and Beck
  8. 08 Little Girls (2014 Film Version) - Cameron Diaz
  9. 09 The City’s Yours - Jamie Foxx and Quvenzhané Wallis
  10. 10 Opportunity - Quvenzhané Wallis
  11. 11 Easy Street (2014 Film Version) – Cameron Diaz and Bobby Cannavale
  12. 12 Who Am I? - Jamie Foxx, Cameron Diaz and Quvenzhané Wallis
  13. 13 I Don’t Need Anything But You (2014 Film Version) - Jamie Foxx, Quvenzhané Wallis and Rose Byrne
  14. 14 Tomorrow (Reprise) - Cast
  15. 15 Opportunity (Sia Version) - Sia [Version does not appear in film]

A Broadway classic that has delighted audiences for generations comes to the big screen with a new, contemporary vision in Columbia Pictures’ comedy Annie.  Director/Producer/Screenwriter Will Gluck teams with producers James Lassiter, Jada Pinkett Smith & Will Smith, Caleeb Pinkett, and Shawn “JAY Z” Carter, Laurence “Jay” Brown, and Tyran “Ty Ty” Smith with a modern telling that captures the magic of the classic characters and original show that won seven Tony Awards. Celia Costas and Alicia Emmrich serve as Executive Producers.  The screenplay is by Will Gluck and Aline Brosh McKenna, based on the musical stage play “Annie,” book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin, and on “Little Orphan Annie,” © and ® Tribune Content Agency, LLC.
Academy Award® nominee Quvenzhané Wallis (Beasts of the Southern Wild) stars as Annie, a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan (Cameron Diaz). But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks (Jamie Foxx) - advised by his brilliant VP, Grace (Rose Byrne) and his shrewd and scheming campaign advisor, Guy (Bobby Cannavale) - makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
Opening soon across the Philippines on January 8, 2015, “Annie” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.

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Keanu Reeves Plays Hitman In 'John Wick' – Surprises With Unexpected Use of Artillery In Action Scenes

One of Hollywood’s top lead actors, 50-year old Keanu Reeves is at the top of his game- physique and stamina even better to-date in the full-throttle action-packed film “John Wick” as he takes on the titular role of a retired assassin who hunts down his adversaries with the ruthlessness that made him a crime underworld legend.

After the sudden death of his beloved wife Helen (Bridget Moynahan), John Wick (Reeves) receives one last gift from her, a beagle puppy named Daisy, and a note imploring him not to forget how to love. But John’s mourning is interrupted when his 1969 Boss Mustang catches the eye of sadistic thug Iosef Tarasov (Alfie Allen). When John refuses to sell the car, Iosef and his henchmen break into his house and steal it, beating John unconscious and leaving Daisy dead. Unwittingly, they have just reawakened one of the most brutal assassins the underworld has ever seen.

John’s search for his stolen vehicle takes him to a side of New York City that tourists never see, a hyper-real, super-secret criminal community, where John Wick was once the baddest guy of all. After learning that his attacker is the only son of a former associate, vicious Russian crime boss Viggo Tarasov (Michael Nyqvist), John turns his attention to vengeance. As word spreads that the legendary hit man is after his son, Viggo offers a generous bounty to anyone who can bring John down. With a veritable army on his trail, John once again becomes the remorseless killing machine the underworld once feared, launching a pitched battle against Viggo and his soldiers that could mean the end of them both.
Given the character’s fabled career as an assassin, the filmmakers initially imagined an older actor in the role. “Instead, we decided to look for someone who is not literally older, but who has a seasoned history in the film world,” “Keanu Reeves is someone I’ve always wanted to work with.”

Reeves’ impeccable action pedigree, which includes the groundbreaking “Matrix” trilogy, two chapters of the blockbuster “Speed” franchise and the daredevil adventure “Point Break,” has justifiably earned him iconic status in the action world,” says producer Basil Iwanyk.

Reeves signed on to headline John Wick, working closely with the writer to refine the story. “Basil and Peter Lawson of Thunder Road brought the script to me with the idea that I would be a part of such a great collaboration,” the actor says. “We all agreed on the potential of the project. I love the role, but you want the whole story, the whole ensemble to come to life.”

Set to open this weekend (October 24-26) in the US, online entertainment website Screenrant picks “John Wick” to be number one at the box-office with extremely positive reviews from its early screenings.  Jordan Huffman of The Guardian has this to say of the movie’s action scenes, “Veteran stuntmen and second unit directors Chad Stahelski and David Leitch, making their debut as feature directors, stage the action with a fierce clarity. John Wick kills his way through neon nightclubs, art deco-inspired hotel rooms and eerily lit churches. Unlike, say, the work of John Woo, there isn’t a reliance on slow-motion, which affords the blunt, direct to the head gun-fu – a “holy cow, did he just do that?” shock value. When you think you’ve seen John Wick twist in the most acrobatic way to blast the baddie sneaking up behind him, he’ll strike another pose that tops it.”
“John Wick” blasts into (local) theatres nationwide on October 30 (from Pioneer Films).

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Asian-American Teen Actor Lends Voice To Main Character In 'Big Hero 6'

Robotics prodigy Hiro Hamada has the mind of a genius—and the heart of a 14-year-old, in Walt Disney Animation Studios' new comedy-adventure “Big Hero 6.” His state-of-the-art battlebots dominate the underground bot fights held in the dark corners of San Fransokyo. “He’s a troublemaker,” says Ryan Potter, who lends his voice to Hiro, “but he’s a really good kid at heart.”

In the film, big brother Tadashi redirects Hiro’s brilliance, inspiring him to put his brain to the test in a quest to gain admission to the San Fransokyo Institute of Technology.

“We really wanted them to be brothers first,” says producer Roy Conli of Hiro and Tadashi. “Tadashi is a smart mentor. He very subtly introduces Hiro to his friends and what they do at San Fransokyo Tech. Once Hiro sees Wasabi, Honey, GoGo and even Fred in action, he realizes that there’s a much bigger world out there that really interests him.”
When a tragic event changes everything, Hiro turns to a robot named Baymax, and they form an unbreakable bond—and two-sixths of a band of high-tech heroes on a very important mission.

“Hiro is transitioning from boy to man,” says director Don Hall. “It’s a tough time for a kid and some teenagers develop that inevitable snarkiness and jaded attitude. Luckily Ryan [Potter] is a very likeable kid. So no matter what he did, he was able to take edge off the character in a way that made him authentic, but appealing.”
“I grew up watching Disney films, and I grew up reading Marvel comics,” says Potter. “So when I heard that a Disney movie that was inspired by a Marvel comic actually featured an Asian American kid, I absolutely had to be a part of this film.”

Actor, director, martial artist, photographer and philanthropist Ryan Potter was raised in Tokyo, Japan, until the age of 7. His first language was Japanese and he’s a lifelong fan of Manga and Anime.

Potter appeared in the 2014 feature film “Senior Project” and will appear in “Underdog Kids" early next year. He also starred in Nickelodeon’s “Supah Ninjas” as a typical high school student who discovers he descended from a long line of ninjas.

In addition to acting, Potter is skilled in several martial art disciplines. He began training in White Tiger Kung Fu at age 8 and has also studied Wu Shu style Kung Fu, Karate and Capoeira. In addition to White Tiger, Potter trains in martial arts tricking and parkour free running.
Potter is also devoted to painting and photography, often in unison, creating mixed media art, directing and filming his own martial arts videos and is moved by music of all genres. He is planning to attend college next year to study film and art.

Potter is dedicated to raising awareness for several charities including Covenant House and Big Brothers Big Sisters of America. He is grateful for his Big Brother of 10 years and has been a National Spokesperson since 2012. In addition, Toy Box of Hope, a charity that Potter started himself in 2011, raises awareness and donations for homeless children in Los Angeles.

Opening across the Philippines on Nov. 06, 2014, “Big Hero 6” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.

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Explorers Go Beyond Galaxy For Historic Mission In 'Interstellar'

With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history: traveling beyond this galaxy to discover whether mankind has a future among the stars, in Warner Bros. Pictures' futuristic thriller “Interstellar.”

From acclaimed filmmaker Christopher Nolan (“The Dark Knight” films, “Inception”), “Interstellar” stars Oscar winner Matthew McConaughey, Oscar winner Anne Hathaway, Oscar nominee Jessica Chastain, Bill Irwin, Oscar winner Ellen Burstyn and Oscar winner Michael Caine. The main cast also includes Wes Bentley, Casey Affleck, David Gyasi, Mackenzie Foy and Topher Grace.

Directed by Christopher Nolan, the film is written by Jonathan Nolan and Christopher Nolan.

Ask Christopher Nolan’s partner Emma Thomas—who is producing “Interstellar” with Nolan and Lynda Obst—what the film is about, and she doesn’t speak immediately of space ships and interstellar travel to inhospitable alien worlds. She goes right to its heart: “For me, it’s really about the incredible human spirit of adventure and exploration. There are a lot of big questions asked by the movie, but, ultimately, what it comes down to is a story about family and human relationships. And I think that’s a pretty amazing thing.”

Realism to Nolan is about finding the rich seam of humanity in any grand adventure. At the core of “Interstellar” is one family: sister and brother Murphy and Tom (played by Mackenzie Foy and Timothée Chalamet), their grandfather Donald (John Lithgow), and their dad Cooper, played by Mathew McConaughey.
“I’m a pilot—that was my dream,” McConaughey says, using first person to describe his character, Cooper. “I was going to explore and wander and go out there…” he points to the sky. “Then I was grounded: One, by life’s circumstances—family; and two, by circumstances of the world in this future that Chris and his brother [Jonathan Nolan] created. It’s a future and an existence where exploration and invention and wonder are not only not needed, you can’t do it anymore. It’s a life of sustenance, to stave off extinction. ‘Don’t get any bright ideas, mankind.’ And my guy’s [told], ‘Hey, we need you to be a pilot again. And you’re not literally chasing your own dream; there’s a massive responsibility behind this. We need you to pilot our ship.’”

The story of “Interstellar” begins here, on Earth. Except, as envisioned by Jonathan ‘Jonah’ Nolan and Christopher Nolan, it is an Earth of the not-too-distant future reshaped by a crisis that draws its spiritual roots from the Dust Bowl—the Depression Era drought that saw America’s prairies hurling up huge dust storms that choked the country’s heartland. Thomas explains, “The issue is how to feed everyone. The emphasis is on agriculture, but it’s not really idyllic. It’s a difficult time.”

This is the world Cooper and his family have inherited. But not everyone has given up. A team of scientists has discovered a wormhole—a tunnel through space-time—that could potentially allow travel across unimaginable distances. The Lazarus mission is launched as a quest to find potentially inhabitable planets outside our solar system—a new home. The ship has already been built, and Cooper is the only man with the skills to fly it. But the risk of piloting a mission to save his children’s future is the possibility that he will never see them again.
For Nolan himself—a father of four—the project is clearly personal. “It’s about all kinds of things—how we define ourselves and who we are in the universe—but, for me, it’s about being a father,” he reflects. “I think putting those ideas foremost in my process gives the story to the film, rather than just enjoying the space elements for space’s sake.”

Opening across the Philippines on Nov. 6, 2014 in theaters and IMAX®, “Interstellar” is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

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Fury (Film Review)

It's been garnering mixed reviews over it's noticeable inconsistencies, Director David Ayer's 'Fury' presents us a gut-wrenching picture of the horror and grittiness during the second World War. April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Don 'Wardaddy' Collier commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.

I like 'Fury' as it is, but there were major flaws in between. The thing that would really stand out was the two leads of the movie: Brad Pitt and Logan Lerman. Their chemistry and how they basically teach each other to overcome the terrors of doing something they never want to do was the morality this film explored perfectly. How they present the soldiers was very accurate, and unlike most of war films would see them as 'saints', here they display them as monsters -- monsters they created by their own selves to defeat the greater evil.
Brad Pitt, on yet another WWII film, didn't go full-on Aldo Raine on this (well, for some scenes, he actually did). He was superbly good here, and doesn't fail to embody the spirit of the traumatized leader who has seen his faith and beliefs shaken more than a few times. Shia Labeouf plays "Bible", which pretty much explains what he is in this movie. Religious, often reads the Bible, LaBeouf continues to impress us with his acting chops. Completing the circle were Jon Bernthal (SHANE!!!), Michael Pena, and Logan Lerman who were always a great presence on-screen were amazing here. 

Boy, does this movie looked beautiful. The technical aspect for this movie were probably the best thing about this movie. Unlike David Ayer's previous films, 'Fury' didn't dare to attempt at least a single shaky-shot. Every shot looked still, making the viewers pay more attention to it's glorious action sequences. They also used practical effects most of the time, with actual real tanks on the play.
There was a scene in the movie that is primarily there to build/ develop it's characters. However, it actually made the entire film a lot more dragging than it shouldn't been. And made some of the characters more uninteresting, specifically within Jon Bernthal's character. We didn't actually get to feel the drama and emotion this movie tried to convey, and when someone shocking happened to someone, all felt flat. 

'Fury' while still being a very watchable war movie, with it's glorified horrific picture of war, didn't succeed on presenting it's soldiers as it should have been, making them more of monsters than human beings.

The geek rates it 7/10.

'Fury' is rated R-16 by the MTRCB and now showing in cinemas nationwide locally distributed by Pioneer Films!
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The Judge (Film Review)

'The Judge' at its heart revolves around a son fighting for his estranged father he had hatred for in years. It could make a big courthouse, family drama that has the potential in the awards season as marketed in the previews. It already has everything it needed for the great drama recipe, but however it just doesn't want to be. As the clock continues ticking in this 2 hours and 20 minutes running time, this supposedly knock-out of a film ended up punching itself even more.

Robert Downey, Jr. plays Hank Palmer, a sleazy, hot-shot lawyer that returns to his childhood hometown to visit his deceased mother. His father, Joseph Palmer (Robert Duvall), is a Judge in this neighborhood, only to be suspected of murder by the court. Now, it is up to Hank to defend him, reconnect with him that he already forgotten.
While the premise of this movie is intriguing as it is, it decided to cram in unnecessary plot points, scenes, characters, and you got the formula for a long, dragging movie. There will be instances where it tried to be funny, where it isn't needed at all. One scene where Robert Downey Jr.'s character and Vera Farmiga tried to break-in on a restaurant only to find out it is owned by Farmiga, and the scene became a big f**king joke. "Why would a lawyer, who practiced an studied the fundamentals of law, attempt to break-in a restaurant in the first place??" 

The trial sequences were done with so much care. Billy Bob Thorton plays the defendant of the crime victim, and I must say he was more impressive than I thought he would. If only the movie would include more courtroom scenes.

It could have been 30 minutes shorter than it is. And the movie is at it's most intense when things started heating up between the two leads. The best bit of the film occur during a tornado attack, where Downey and Duvall argue about their past, digging old wounds. Robert Duvall is phenomenal as ever, and Robert Downey, Jr. on his best performance in years.
It is the script that went wrong, and this thing has a good shot for the Best Picture race, but it bloated down the airways and wasted all over. 'The Judge' has it's moments here and there, but it cram itself as it can. For sure, audiences will adore this, but don't expect too much. See it for Robert Duvall and Robert Downey, Jr. at least.

The geek rates it 6/10.

'The Judge' opens this Wednesday, October 22 distributed by Warner Bros. Philippines!

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